The piece I am
proposing is an unpublished work by John Cage.
It is
dedicated to the bassoonist Sergio Romani, at the time bassoonist at the Teatro
dell'Opera in Rome, who has jealously preserved it for all these years.
It was
presumably given to Sergio Romani in November or December 1973 when J. Cage was
in Rome to attend the performance of his “Exercise”. Probably impressed by
Sergio's skill and friendliness, he did not hesitate to grant his request for
an autograph, enriching it with a very short, impromptu composition. Among the
various possible interpretations, I decided to perform it as follows.
A single line
of the stave defines a boundary around which the composition develops.
The pitches and tempo have no defined codification.
The piece has only two real notes, which spell out the name of the dedicatee: Ser-gio. Around these “concrete” notes develops a halo of fluid sounds, an intangible reality that composes the inconsistency of the etheric world that envelops matter.
I have
defined the symbols in the following rule. O : breath ●: slap.
I am
honoured to perform this “sound autograph” for the first time, dedicated to the
late Sergio Romani, who made a valuable contribution to music with flair,
humility and great professionalism.
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